“Quantay Peoples is an intentionally-driven individual who specializes in Visual Effects, Storytelling, and 3D Animator with a talent for creating visually compelling content for live events, high-profile productions, and stage performances. His experience includes producing content for renowned events such as the GRAMMYS, Coachella, and New York Fashion Week, where he has earned a reputation for delivering polished work under tight deadlines. Skilled in tools like Adobe After Effects, Davinci Resolve, Blender, and Unreal Engine, he brings creativity, teamwork, communication, and precision to every project. Recently, he has expanded his expertise into AI (for backend-productivity) and how that can improve the structures within the pipelines of his 3D animation, Video Editing, and Storytelling workflow – reflecting our commitment to continuous learning and pushing creative boundaries for the greater good.”

Rauw Alejandro stage visual presentation by Quantay Peoples.

Music changes lives. Music tells stories that need to be told. Music had power at the 2026 GRAMMYS. Courtesy of The Recording Academy, video edited by Quantay Peoples.

PEOPLES SEASON 001: 2020 Video Production / Editing Reel by Quantay Peoples

Short-form 3D animation presentation by Quantay Peoples.

Short-form 3D animation presentation by Quantay Peoples for the Paid In Full Foundation 2025 gala.

Unreal Engine 5 cinematic animation by Quantay Peoples

“Behind The Scenes” and “Switching Gears,” Honda Stage ft. Austin Millz are promos that allowed Quantay Peoples to assist the Director of Photography, video edit the presented content, and create the on-screen renders in the background all while on-site with production.

Quantay Peoples leads NxWorries’ “Why Lawd?” 2025 Tour as the Motion Director of visual content.

Quantay Peoples works closely with Directors, Notch / D3 programmers, and artists to create immersive renders that enhance stage designs for events like the Grammys, VMAs, Coachella, NYFW, and countless tours such as Bad Bunny’s “World’s Hottest Tour.”

“Gang Over Luv” & “Lost Souls”: Stage visuals for Brent Faiyaz. Quantay Peoples composited a chroma-keyed crowd into a 3D scene and keyframed light hits to the BPM of the music.

Quantay Peoples received a Digital Imaging Technician Film Credit for the opening shot of this IMAX short film by Kanye West called “Jesus Is King”.

Unreal Engine 5 cinematic sequence by Quantay Peoples

For Bad Bunny’s Coachella performance (which made history as the first latin artist to headline Coachella), Quantay Peoples composited 2D elements into 3D scenes using Adobe After Effects.

Unreal Engine 5 cinematic action sequence by Quantay Peoples

This is the opening shot of “Unrecognizable” by music artist, BVM. This was the first time that Quantay Peoples shot, directed, and edited a music video. This allowed him to manage small teams and collaborate with the artist.

Self-character design created by Quantay Peoples using the Polycam iPhone app for facial scanning, Unreal Engine 5 for MetaHuman creation, and Blender for modeling. This character is rigged and animation ready.

Video edit promo for Daniel Caesar by Quantay Peoples.

Quantay Peoples completed this project with a quick turnaround for Anderson .Paak’s 2019 Grammy Nods. That year Anderson .Paak received two Grammy’s.

Bad Bunny’s “P FKN R” show in Puerto Rico: From the crowds’ perspective, we can see the stage visuals that Quantay Peoples created using 2D assets, appearing to float in 3D!

Lauv’s Seoul Festival 2024: Quantay Peoples is fully capable of creating simple character animations.

“Because of You” by Lauv
3D visualizer by Quantay Peoples

Quantay Peoples scuplting a bust using Blender’s modeling tools. This was inspired by Tyler The Creator’s album: Chromakopia